Part Two of The Judging Wood is now available for your perusal. One of the interesting things about having worked with Steve Hamaker as opposed to handling the colors in-house like normal is that his choices would not have been our choices. If we pull somebody in, though, we actually want to collaborate with them; it's not a straight up work for hire thing. I'm fairly certain the Owl here wouldn't have had dark feathers - I believe Grib was thinking of a snowy owl - and blonde hair with wildflower streaks weren't in the cards, either. We tend to use a more grim palette in general. This is a cool way to think of the Eyrewood.
